great lines from lyrics

  • And I need you more than want you, and I want you for all time. And the Wichita lineman, is still on the line. – from Wichita Lineman, by Glen Campbell

  • Jesus died for somebody’s sins but not mine – from Gloria, by Patti Smith

  • They smelt of pubs, And Wormwood Scrubs, And too many right wing meetings – Down in the tube station at midnight, by the Jam

  • Then, as I walked down Second Avenue towards St. Mark’s Place, where all those people sell used books and other junk on the street, I saw my penis lying on a blanket next to a broken toaster oven – Detachable penis, by King Missile

  • See, my old man’s got a problem - lives with a bottle, that’s the way it is. He says his body’s too old for working, his body’s too young to look like his – Fast Car, by Tracy Chapman

  • Freedom is just another word for nothing left to lose.

  • Out on the road today I saw a Deadhead sticker on Cadillac. (Don Henley, Boys of Summer)

  • Don’t the sun look angry through the trees, don’t the trees look like crucified thieves. – Desperados under the eaves, by Warren Zevon

  • “Does anyone know where the love of God goes when the waves turn the minutes to hours?” —- Gordon Lightfoot (The Wreck of the Edmund Fitzgerald)

  • “I hate people when they’re not polite” – ‘Psycho Killer’ - Talking Heads

  • Hairstyles and attitudes—how do they relate? How well do we use the freedom to choose the illusions we create? -— Timbuk3

  • Safe sex is great sex, better wear a latex, ‘Cause you don’t want that late text, that “I think I’m late” text

  • Paper chasin’ tell that paper “Look, I’m right behind ya” Bitch real Gs move in silence like lasagna. – 6 Foot 7 foot, by Lil Wayne

  • Men go crazy in congregations, they only get better one by one. – All this time, by Sting

  • Fussin’ and flappin’ in priestly black like a murder of crows. – All this ti me, by Sting

Sting, Suzanne Vega, Peter Gabriel, Elvis Costello

  • “Do I have to tell the story of a thousand rainy days since we first met/it’s a big enough umbrella, but it’s always me that ends up getting wet” – Every Little Thing She Does Is Magic, The Police

  • “Love is not a victory march” – Hallelujah, Leonard Cohen

  • “The greatest thing you’ll ever learn, is to love and be loved in return” - Nat King Cole, Nature Boy

  • “Oh I used to be disgusted, but now, I’m just amused.” – Elvis Costello, Red Shoes

  • And the man in the suit has just bought a new car, from the profit he’s made on your dreams. – The Low Spark of high heeled boys, by Traffic

  • She’s filling her nails while they’re dragging the lake. – Watching the Detectives, by Elvis costello

  • If you choose not to decide, you still have made a choice. Rush - Freewill

  • “Poor man wanna be rich. Rich man wanna be king. And a king ain’t satisfied till he rules everything.” Badlands. Springsteen

  • I was seriously thinking ‘bout hiding the receiver when – the switch broke, ‘cause it’s old. – Radio, radio, by Elvis Costello

  • And the piano, it sounds like a carnival! And the microphone smells like a beer. And they sit at the bar and put bread in my jar and say man, what are you doing here. – Piano Man, by Billy Joe

  • It doesn’t mean that much to me, to mean that much to you. – Old Man by Neil Young

  • Is the power of love worth the pain of loss? – James 5.0

  • You know you got to go through hell, before you get to heaven.

  • You look into her eyes, and it’s more than your heart will allow.

  • I can’t see the point, but I see the attraction.

  • She was workin’ in a topless place and I stopped in for a beer. – Tangled up in Blue, Bob Dylan

  • Don’t you think every kitten figures out how to get down, Whether or not you ever show up… – Not a pretty girl by Ani DiFranco

  • You said you loved me, or were you just being kind? Or am I losing my mind? – Follies

  • They told me all of my cages were mental, so I got wasted like all my potential.

  • “And I sound like an infant, feeling like the very last drops of an inkpen.

  • Something that’s so close is still so far out of reach.

  • “I had a taste of the real world (Don’t waste a drop of it) when I went down on you girl (Don’t stop it)” —- Marty Balin, “Miracles“ (album version)

  • “Don’t tell me that they’re antisocial/somehow not antisocial enough” – Poets by the Tragically Hip

  • We’ve been waiting all our lives, For things we’ve always had but have no eyes to see.

notes

https://amclain.com/blog/feminism-and-science-fiction-a-syllabus

no grid and no overlap. with territory, with possible deadzones, with eyes, with captures and so on.

演员都是传奇人物,都是聪明绝顶的人。他们高居于日常生活之上,悠然注视着舞台下的大众;他们能够记住铿锵的台词,仿佛把整个世界都掌握在手中。孩子不满足于贫瘠单调的现实生活,因而对舞台充满热切执着的渴望。孩子当然不明白“舞台小人生,人生大舞台”这幺深奥的哲理,这个哲理必须等到孩子饱经生命的风霜之后才能领悟到。很多年之后,当我读莎士比亚的剧本时,在《第十二夜》中发现了这段话,顿时像被闪电击所中一样震撼了:“这个人去做俳优是够聪明的了。干这个营生,真是很需要一点聪明,他必得观察他们所取笑的人们的心情、那人的人品,与时间得当否。并且还要似未受过训练的苍鹰,对于面前的每一个飞禽都要追逐。这一种工作与智慧者的精心艺术一样充满了辛苦。因为他用聪明所表现的愚蠢是恰当的,但是聪明人若跃在愚蠢里,却要把聪明污损了。”莎士比亚既是作家,又是演员;既是旁观者,又是介入者。在舞台上,他发现了幕前、幕后的分野;在生活中,他更发现了那道一般人看不见的“幕布”――那些看起来最聪明的人,其实就是自由自在地出入于这道幕布的人。如何才能自由自在地出入于幕布内外呢?那幺!,你必须给自己戴上一个面具。所有的戏剧说到底都是戴着面具的舞蹈。

…就是根深蒂固的“瞒与骗”(鲁迅语)的文化和政治特性。中国人固然很聪明,但这种聪明仅仅是把“屡战屡败”改写为“屡败屡战”的聪明;中国人固然很勤劳,但这种勤劳仅仅是苦练表演招式、让面具内化为面部肌肉的勤劳。通过这个小故事,汪康年极其沉痛地揭示出了这种可怕的现实:我们生活在一个互相欺骗和捉弄的优孟王国,我们从来没有真实、诚恳、认真地生活过。我们的历史打上了浓重的“ 优孟史”的烙印,我们的文化染上了“优孟文化”的致命毒素。在这个与现实生活几乎“同构”的舞台上,无论皇帝还是弄臣,无论官僚还是黎民,都兼有“骗人” 和“被骗”的两重身份。

晚清名伶德君如是穆彰阿之孙,他却不顾显贵的出身,“下海”而为艺人。家人强迫他承袭爵位,他断然拒绝。叔父萨廉骂他自甘下贱,玷辱门风,将他逐出宗族,注销族名。即便如此,德君如也绝不回头。有朋友劝他归家继承爵位,他却说:“我在舞台上一身而兼帝王将相,威重一时,为何要回家?”友人说:“这戏中的帝王将相可是假的。”他反驳说:“天下事还有什幺是真的?”这是一种彻头彻尾的大绝望。在一个举世皆骗子的世界上,德君如认为:既然我无法揭穿所有的谎言,那幺我乾脆就去做那个明目张胆地宣称自己是骗子的演员。这种绝望正如鲁迅所说的,是铁屋子中的人醒来之后发现无法打破铁屋子的绝望。

book: Anarchy, State, and Utopia (1974), a libertarian answer to John Rawls’ A Theory of Justice (1971). Nozick proposes his minimal state as the only justifiable form of government.